Theatre Raleigh ACT Delivers a Glitzy, Heartfelt, and Utterly Unforgettable Production of "Jesus Christ Superstar"

Walking into Theatre Raleigh ACT’s production of Jesus Christ Superstar, directed by Blaire Thompson, is like walking into the loudest, wildest party imaginable. Everywhere, young people are dressed in brightly colored club clothes while music pumps all around them. They sport glitter in their hair and over-the-top makeup on their faces. The energy, though, is what stands out the most. Everyone is vibrant, excited, and ready to rock. Shiny flags fly high in the sky, and as the audience waits in anticipation, the feel-good mood is definitely catching.

As it turns out, of course, this glittery entourage is awaiting the arrival of none other than Jesus of Nazareth (Braden Shepstead), one of the central characters of Andrew Lloyd Webber (music) and Tim Rice’s (lyrics) beloved musical. The musical follows the story told in the Gospels, but with a rock-opera twist, and with a very human look at each of the characters. 

Here, Jesus is treated like a rockstar, and, thanks to the innovative costuming choices, he looks like one too. While his “superfans” and “apostles” dress like club kids, he, Judas Iscariot (Greta Spagnardi), Pontius Pilate (Leigh Messick), and other more central or authoritative figures sport a darker, more somber look, a nice nod to the heavy story that lies underneath all the color and glitter. In fact, that’s probably one of the most interesting things about Jesus Christ Superstar—the contradiction between the sad plot and the cheeky tone. This production operates from a thorough understanding of that fascinating disconnect, and it comes through loud and clear, adding a layer of depth to the fun.

Of course, that’s not to say that the fun isn’t there. It definitely is and in full force. Choreographer Tim Malboeuf and associate choreographer Pilar Manson make sure of that. There’s rarely a scene that goes by without a jazzy, all-over-the-place dance number to feast your eyes on. The performers are dancing up high, dancing on the stage, and even dancing in the aisles. There’s also an incredibly enjoyable number with snapping fans lending their rhythm. Add all that to those eye-catching costumes and the talented live band, and the result is a musical spectacle you won’t want to look away from.

The story’s softer moments act as the perfect counterbalance to the more riotous scenes. Thompson’s artful and sensitive direction shines through in many a tender moment, such as when Mary Magdalene (Rain Readling) professes her confused feelings for Christ in a perfectly-lit “I Don’t Know How to Love Him,” and when she and Peter (Steven Spencer) share a tearful hug after “Peter’s Denial.”

Readling is a breakout star here, featuring a powerhouse voice and a sweet, gentle presence that transform her into the perfect Mary. Her command of the stage is impressive, and she has a penetrating way of making every viewer feel for the character she is portraying. Likewise, Spencer is an onstage charmer with a strong voice of his own, and he lends a sad emotional intensity to the role of Peter. 

Other standout performances from amidst a highly talented cast include Spagnardi’s pained, gripping, and emotionally-charged portrayal of Judas; Messick’s torn, confused Pilate; and Noah Bailey’s wonderfully over-the-top, oh-so-funny King Herod, particularly in his solo number. His fabulous feathered suit also deserves a nod just for being awesome and helping “make” the character.

Then, one cannot forget the character at the heart of the plot, Jesus himself. Shepstead boasts an impressive vocal range and gifts his character with a quiet strength and a thoughtful, peaceful presence. His pain in the “39 Lashes” number is palpable. It should also be noted that this number is handled in a unique way. Using glow-in-the-dark paint, which spreads and smears onto hands and everything else it touches, in place of blood adds an innovative, symbolic, and completely unforgettable touch.

In fact, “innovative,” “symbolic,” and “completely unforgettable” are all good descriptors for the production as a whole. It’s the most fun you’ll have all summer. Yet, it’s also a watch that will make you reflect on the concepts of sacrifice, forgiveness, and the importance of love. There’s also something magical about watching this show played out by talented, inspiring, and passionate young performers. It adds a magic, an energy that you’re sure to carry with you for a long time to come.

-Susie Potter