DPAC's Production of Les Misérables is Raw, Real, and Relatable

"One Day More" from Les Misérables (Christian Mark Gibbs as Enjolras). Photo: Matthew Murphy.

The indomitable power of the human spirit. The miracles that come from love and an open heart. The ugliness we sometimes show to our fellow man. These are all themes that are vividly present in Cameron Mackintosh’s production of Alan Boublil and Claude-Michel Schönberg’s Les Misérables, which is based on Victor Hugo’s novel. Since its inception, the musical has gone through many iterations, including a 2009 revival to celebrate the show's 25th anniversary. The version conceived in 2009 is what is now gracing the stage at the Durham Performing Arts Center (DPAC) and proving that Les Mis is still powerful, touching, and relevant.

The production, which runs through July 20 and features direction by Laurence Connor and James Powell, begins with the famed prologue, in which viewers are introduced to the unforgettable Jean Valjean (Nick Cartell). Set in France in 1815, this opening scene reveals a man who is down on his luck in the worst way possible. After being released on parole, following a 19-year stint in prison, Valjean commits yet another crime, though, this time, he finds mercy at the hands of The Bishop of Digne, portrayed by Randy Jeter, who lends a kindly air and a rich baritone voice to the role. Valjean’s subsequent promise to become an “honest man” and his decision to flee Digne serve as the catalyst for the story that unfolds, one that spans 17 years in the lives of Valjean and those who cross his path.

One of these “path crossers” is none other than Fantine, portrayed at the opening night performance by Juliette Redden. Fantine is a troubled factory worker with a daughter to support, and when Valjean accidentally contributes to her downfall, he vows to make it up to her by finding and caring for her little Cosette (Greta Schaefer). In her all-too-brief moments on stage, Redden lends both heartwrenching pain and beautiful grace to her downtrodden character. Her performance of “I Dreamed a Dream” rings clear and true and serves as one of the many highlights of the first act. Other highlights include Schaefer’s adorable performance and teeny-tiny singing voice, David T. Walker’s gangly, devious, and hilarious portrayal of the manipulative innkeeper, and Cartell’s sweeping, lyrical voice and multi-faceted characterization.

As the story progresses, following a beautiful, starry reprieve in which young Cosette and Valjean share a bonding moment, the lives of the characters and the state of the country fall into upheaval. A love triangle between the adult Cosette, portrayed by an endearing Delaney Guyer, her rival, Éponine (Mya Rena Hunter), and the revolutionary Marius (Jake David Smith) adds drama and romance to the already-dense story and spurs forward the unfolding second act. And, of course, there’s always Javert (Nick Rehberger), lurking in the background and doggedly pursuing both Valjean and his own personal definition of justice. Together, Cartell and Rehberger bring forth a simmering tension that serves as the heart of the story. These two talented actors play off of one another expertly, and Rehberger’s brooding portrayal deepens the chilling intensity and foreboding air of the story. 

All of this action plays out against a smoky, dark, and, at times, desolate backdrop that mirrors Victor Hugo’s art. Matt Kinley’s set design, coupled with Schönberg’s always-captivating music and a host of incredible character actors, keeps viewers entranced in every moment. 

Whether you’re a first-time viewer or a longtime fan, you’re sure to find something you need in this production—something that will inspire you, touch you, or make you reflect on your own journey. Because, ultimately, that’s what Les Misérables is: a haunting, captivating, and unforgettable story about the human experience.

-Susie Potter